Papagiannouli, C. (2016) Political Cyberformance: The Etheatre Project. Basingstoke: Palgrave Macmillan.

Book Chapter

Papagiannouli C. (2018) ‘Internet, Theatre and the Public Voice’. In: Breed A., Prentki T. (eds) Performance and Civic Engagement. Palgrave Macmillan, Cham, pp.189-203.

Refereed journal articles

Papagiannouli, C. (2018) On Line: A response from a transmedial, postdigital and post-Internet futurePerformance Research: On Reflection – Turning 100, 23(4-5), pp. 428-30. DOI:10.1080/13528165.2018.1506384

McElroy, R., Papagiannouli, C. and Wiliam, H. (2017) Broadcasting after devolution: policy and critique in the Welsh media landscape 2008–2015, International Journal of Cultural Policy, pp. 1-15.

Papagiannouli, C. (2011) ‘Cyberformance and the CyberstageThe International Journal of the Arts in Society, 6 (4), pp. 273-282.


Davies, H. and Papagiannouli, C. (2018) The Future of Welsh-language broadcaster S4C: Funding and Remit, Media Policy Project Blog, LSE.

McElroy, R., Wiliam, H., Papagiannouli, C. and Davies, H. (2017) S4C in Context: A comparative overview, Response to DCMS Review of S4C (Ymateb i Adolygiad Yr Adran Dros Ddiwylliant Cyfryngau a Chwaraeon o S4C ), 13 October.

McElroy, R., Papagiannouli, C. and Wiliam, H. (2015) ‘Annex 1: Review of Policy Development’ in IWA Wales Media Audit 2015, Cardiff: IWA, pp. 124-138

Papagiannouli, C. (2012) ‘Etheatre Project: The Director as Researcher’ ATINER’s Conference Paper Series No: ART2012-0172.

Conference Papers

‘Internet, Theatre and National Identity: The Dis-United Kingdom and its National Theatres’, 2018 IFTR Conference: Theatre and Migration / Theatre, Nation and Identity, University of Arts, Belgrade (Serbia), Aug 2018.

‘Postdigital audiences: Theatre in a transmedia world’, 2017 TaPRA Conference, University of Salford (UK), Aug-Sep 2017.

‘The Director as Researcher: Bertolt Brecht’, IBS 2016 Symposium: Recycling Brecht, St Hugh’s College, University of Oxford (UK), Jun 2016.

‘Liveness or “Live-less?” Theatrofilm from Broadway to NTLive’. IFTR 2016 Conference: Presenting the Theatrical Past, Stockholms University (Sweden), Jun 2016.

‘The Director as Researcher: Cyber-Ethnography and Cyber-Documentation’. 2015 TaPRA Conference, University of Worcester (UK), Sep 2015.

‘Intermedial Interculturalism: Life Streaming and Call Cutta in a Box’. ISIS 2015: Play/ Perform/ Participate, Utrecht University (Netherlands), Apr 2015.

‘Directing Dialectics: The Director as Discussion Facilitator’. Performing Dialectics Symposium, Queen Mary, University of London (UK), Jan 2015.

‘The Etheatre Project: Directing Cyber-Brechtian Theatre’. Whither Political Theatre? British Academy for the humanities and social sciences, University of Cambridge (UK), Sep 2014.

‘The Etheatre Project: Political Participation in Online Theatre’. Digital Research in the Humanities and Arts (DRHA2014), University of Greenwich (UK), Sep 2014.

‘To Be and Not to Be, this is the answer’. Rethinking Intermediality in the Digital Age. International Society for Intermedial Studies. Sapientia University, Cluj-Napoca (Romania), Oct 2013.

‘A Short Organum for Cyberformance: The Internet as an Apparatus of Communication’. IFTR/FIRT 2013 Conference: Re-Routing Performance. Institut del Teatre, Barcelona (Spain), Jul 2013.

‘(Per)forming Political Spaces within Cyberstage’. The Viewing of Politics and the Politics of Viewing, AUTHand Hellenic Association for American Studies, Thessaloniki (Greece), Apr 2013.

‘The Death of the Audience’. Remote Encounters Conference, Cardiff School of Creative and Cultural Industries, University of Glamorgan (Wales), Apr 2013.

‘A Short Organum for Cyberformance: The Internet as an Apparatus of Communication’. TaPRA 8th Annual Conference 2012, Kent University, Canterbury (UK), Sep 2012.

‘The Cyberformance “Bodyless” Experience or How to Embody Absence on Cyberstage’. IFTR/FIRT 2012 Conference: Mediating Performance: Scene, Media et Mediation, Pontificia Universidad Catolica de Chile, Santiago (Chile), Jul 2012.

‘Etheatre Project: The Director as Researcher’. 3rd Annual International Conference on Visual and Performing Arts, ATINER, Athens (Greece), Jun 2012.

‘Cyberian Chalk Circle: The Political Space of Cyberstage’. Postdramatic Theatre as/or Political Theatre Representation, Mediatisation and Advanced Capitalism Conference, Institute of Germanic and Romantic Studies, University of London (UK), Sep 2011.

‘Cyberformance and the Cyberstage’. 6th International Conference on the Arts in Society, BBAW, Berlin (Germany), May 2011.

Invited Talks

‘Το Διαδικτυακό Θέατρο: Όλος ο Κόσμος μια Σκηνή (Theatre and the Internet: All the World’s a Cyberstage)’, 5th International Elife Congress (Under the Auspices of H.E the President of the Hellenic Republic), Hellenic Association for the Study of Internet Addiction Disorder, Karditsa (Greece), Jun 2016.

‘Το Διαδικτυακό Θέατρο (Theatr a’r Rhyngrwyd)’ Cynhadledd Gydweithredol Astudiaethau Theatre a Drama: Theatr, Perfformiad, a Thechnoleg. The ATRiuM Building, Cardiff, Jan 2016

‘Towards a democratic Theatre: The Radicalization of National Theatre Wales’. Centre for Media and Culture in Small Nations research seminar. University of South Wales. Apr 2015.

‘Self Versioning: exploring the potentials of the digital self’ Panel Discussion. V&A Digital Futures. The White Building. London, Mar 2015

‘Etheatre Project: Political Participation in Online Theatre’. Participative Theatre: Engaging Audiences in Digital and Non-digital Environments (CPAD Seminar Event), UEL, Apr 2014

‘Cyber-collaboration: UpStage, Waterwheel Tap and the Etheatre Project’. 10thUpStage Birthday Networked Symposium. Signalraum, Munich (Germany); 19 Tory Street Art Space, Wellington (New Zealand) and UpStage (online), Jan 2014

‘Internet, Theatre and the Public Voice’. Applying Digitised Agency. Community Engagement and the Arts (IPAD colloquia series), Stratford Circus. London (UK), Jun 2013